Ah, it’s that time again, Me Made May! At this point, to be fair, my life is a me made life, with the rare RTW item surfacing, usually around workouts, or as undergarments, or recently with swimwear and jeans (I know, I KNOW I can make my own, and have made my own active wear and swimwear, as well as denim items that are not technically jeans, but my machine here in India hates most knit fabrics, sigh, and I’m afraid of the hardware, and I will eventually sew both jeans and swimsuits again, but for right NOW this is where I’m at). But I like participating in Me Made May, to show off stuff that doesn’t seem worth a blog post, i.e. one of a thousand Scout Tees and Plantain Tees and other things that just don’t make it on here, but that pepper my wardrobe nonetheless. Additionally, this year I’m going to be traveling for half of May, so I’m eager to challenge myself with a me-made travel wardrobe and, hopefully, not bore us all. I’m documenting my Me Made May 2017 journey on Instagram, so follow me @lfstruggle for images and updates!
Me Made May also forces me TO document for the blog some of the projects that I’ve been behind on photographing. This, however, is not one of them. No, I made this project, The Kalle Shirtdress, extremely recently, over the course of about a day, because honestly, despite the fact that it is a shirtdress, with buttons, and a popover placket, I have to say, it was just so easy to make! I am sure I am not alone in my gratitude for Closet Case Patterns, for this wonderful pattern. I remember the day I saw Heather’s blog post on the self-drafted shirtdress that started it all, and I thought, damn, not only is that a much better version of the Archer Hack I made, but how wonderful would that pattern been in Mumbai all year round and during the summer anywhere? So when Heather actually released the pattern, it was one of those rare for me moments when I actually bought something immediately. I’m a planner, and I like to “visit” purchases, consider them, do I really need them, and when it comes to patterns, will I make this again? Do I have an occasion for this? But with this pattern, none of those questions could be answered by anything other than a resounding YES so click, buy, print, assemble, make, done. Honestly, if I wasn’t writing one novel, editing another, and, you know, working at a job job, I probably would have just sat down and made it the day I bought it, but alas, life sometimes gets in the way of sewing, who knows why.
Of course, when I wore this dress to work and convinced my co-workers to photograph me, we managed to find a primo spot in the open construction site that literally IS Mumbai, and the nearby sign really spoke to me as a human (ugh, I deplore that phrase but watcha gonna do). Who among us does not feel like a work in progress? Who feels done, over, sorted? I don’t know to know people like that. I don’t want to bother with complacency. In fact, it is one of the most interesting and frustrating things to me about spending time in India, the way that culture and ground realities of Indian life have conspired in so many to create a language and vocabulary about inherent and intrinsic qualities, the repetition of the phrase “but they are just like that”, or, “that is just how things are”. If I felt I could not be constantly working and striving to improve the world around me, starting with myself, I don’t know how I would find motivation to try or accomplish anything. And in some ways sewing is a wonderful microcosm for me in my ability to learn, and to keep learning. Much as I envy lifelong stitchers, the fact that I have learned this skill fairly recently, almost 8 years ago, I suppose, now, wow, scary thought, and the fact that it has led to other skills and crafts and interests, speaks to me of the elasticity of the human mind, and the way learning and growing is not only possible but essential.
Anyway, enough of that. For more ruminations on India, you are welcome to check out this other blog.
For my first of many, I decided to try the dress option with the pleat back and a popover placket.
I wouldn’t say I got any truly fantastic photos of the back of this dress, but here you can see the pleat and a little of the fun I had with the yoke, cutting it cross-grain for some contrast.
I love a popover, I really do, finicky as it is. This attempt might not be the plutonic form of popover but I’m okay with it, and that’s what really matters, right?
I cut a size 14, because I have found in the past that Closet Case Patterns run small, or at least, that’s my perspective. I wanted to make sure this fit in the bust, that was the most important thing. Heather is running a sew-along for the pattern with a full bust adjustment post, which I plan to read, but for this time around, I just cut the size with my full bust measurement and figured the rest would be fine, it’s a looser-fitting style, anyway. In fact, a co-worker commented that this dress didn’t have my usual waist-hugging style. Beyond being flattered that someone had noticed my style, I had to agree with her. But I will say, I love the way this is drafted so that it glances off the body but still feels, dare I say it, sexy, flattering, body-skimming.
For the fabric, I picked this cotton from Thakur, my serious forever new favorite. I would say I’m financing someone’s country home or something there but it’s so cheap, in fact, that’s part of why I love it. This fabric, which was 60″ wide, was 190 rupees a meter, which is about 3 dollars. RIGHT? RIGHT? Yes.
Stitching this up was really easy, in fact, as I said, I did it in one day. The kimono sleeves mean there is nothing to set it, which is nice, and the collar method Heather has in her instructions is fantastic, seriously, unconventional as she describes it but made for one of the cleanest collars I’ve ever stitched. I didn’t mind finishing the hem with bias tape, yes it’s finicky but it makes for a clean curve which is lovely.
One thing I would say, though, about this pattern, is that I added a good 4.5 inches to the hem, because it seemed awfully short to me. Part of this, I know, is what being in India has done to my understanding of hemlines, because I have seriously warped vision about short, too-short, etc, not because Mumbai is so restrictive, it really isn’t, but because women’s legs are just not as visible here, and the few exceptions I see on a Saturday night, women in fancy bars with body-con dresses and micro-mini shorts, don’t make up for the overwhelming numbers of legs covered by leggings, pants, jeans and saris, even on the hottest of days.
That being said, this dress is short, even by my pre-India standards, and I don’t regret lengthening the hem. I’d do it again in an instant!
As a side note, I really did think my hair looked okay and then I saw these photos and I was like, oh dear god, the horror. Le sigh. Thanks, never-ending humidity!
This tree is just outside of my office building, and you can always have a little Ganesh sesh when you need to, I guess. I have no idea. The longer I’m here, the less Hinduism makes sense to me. But you do you, Ganesh! You do you.
And I’m going to do me. Painful smile, messy hair, wonderful dress, a classic combo.
3 responses to “The Work In Progress Dress”
this looks really cute on you!
I wasn’t overly sure on this pattern but I really love your version, I think the length is perfect (especially as it’s higher at he sides, I have knobbly knees too!) it skims but doesn’t overwhelm which is clever and amazing 🙂 I think everyone’s a work in progress, you never stop learning and changing and that’s what makes life fun and interesting x
I was debating about buying this pattern (LOVE her jeans patterns), and you’ve made the decision for me! This is so flattering on you and the fabric is great. You should make more!