Category Archives: seamwork

The Fruit Market Romper

You know how sometimes you ask other people for their opinions as a way to confirm your own, but you don’t really know that that is what is happening until you hear said opinions? Well, sometimes I think I might be like that with fabric.

On a trip to Vietnam with some friends (hi, Travis, Ben and Jill!) I obviously took advantage of being in the region, and my friendships, to seek out a fabric market in Hanoi and get my hands on some material. I bet it was kind of Hanoi-ing, right, guys? (I made that joke a thousand times on our trip. I am surprised we are all still friends.) They were wonderful sports about it, and even helped me pick out a few choice pieces, like this one:

Not only did I love it, I mean, come on, it’s got me written all over it, whimsy, check, fun colors, check, fruits I enjoy eating, well, I go back and forth on papaya but generally, check! I was into it. And so was Rubens!

I knew I loved this print, but what to do with it? Sometimes we buy for a project, but sometimes, the fabric, she calls to us, she wants to be with us, and we must take her home, although we know not what she will become. So I did that, thinking, okay, I mean, you are 31 years old, so, I guess, pajamas? That’s the sensible thing to do, right, pajamas? With a print like this?

Right?

But the fabric, she did not want that. She wanted to be seen, by people other than my husband, various delivery people, and Rubens! She wanted to feel the sun ripening her fruits, like the fruit markets of this region, bursting with life!

No, I thought, no, be sensible, be adult. Find something in a pinstripe, that’s what grown ups wear. Ask the internet said the fabric, consolingly. The internet will tell you that I am meant for greater things.  Well, I did that, absolutely, but the internet, sigh, she can be a fickle beast, and an Instagram poll had beloved viewers (aka like 7 people) split between keeping this fabric as an indoor only situation, and letting it roam free, like the many cows walking the streets of Mumbai.

But something interesting happened, something I imagine the fabric had planned all along, the fruity little vixen. The more people telling me that this fabric was only suitable for lounge attire, the less inclined I was to make a pair of pajamas out of it. My brain, my heart, rebelled. I rebelled against the idea that a 31-year-old, or anyone, at any age, shouldn’t wear fruit-covered clothing and feel good about it. I rebelled at the idea that there is inside and outside fabric. I rebelled at the idea that my beautiful slices of dragon fruit and watermelon and rather ripe bananas, and yes, even the papaya about which I feel no small amount of ambivalence, should be banished from the world, that the precious cloth I had brought with me over land and sea from Vietnam to Kolkata to Mumbai would not have it’s day in the sun.

Reader, I made a romper out of it. And I regret nothing.

Specifically, I made the Seamwork Sky romper.

As my past history may have taught you, I’m not much of a romper person. You have to take them off entirely to go to the bathroom which is a bummer, because you are essentially stripping down in public and I don’t want to do that unless someone pays me, thank you very much. But this design is SO cute, with the obi style belt and the loose bodice and v neck, I was into it. And I like the dress hack Seamwork presented too, so I figured, try it out!

This pattern, however, like the Rachel I recently made, I didn’t print to scale. (I printed like, three patterns at once not to scale, I don’t know how this happened. ) But this time I saw it coming, and sized down to a ten in the waist, and a twelve in the hips and bust. It is still…generous, in sizing, But I like that. I actually think one of the big romper issues across the board is girth, so this was pretty nice!

I would size down or maybe re-print the bodice, though, for another iteration, because the back is so blousy.

Oh, I also made it shorts because…I live in Mumbai, so…..

It’s a little lower cut than I thought it might be. that might be because of this scale thing, or because my cleavage meter is totally different here in India than it is outside of India.

I love that this has pockets. Obviously. The belt, by the way, is a little longer in the original pattern but I shortened it because…I was running out of fabric. WHATCHA GONNA DO.

This is pretty easy to sew up, although it’s construction was very interesting and kind of a cool challenge, one I recommend to others, it’s good to make your brain do new things!

I included the facings, which is rare for me, I usually go bias tape, but I hand stitched them down on the inside because I hate facing flap.

So here it is. My fruit fabric got its day in the sun, and I got a reminder that I get to decide what is and isn’t outdoor fabric. Spoiler alert? It’s all outdoor fabric. All of it.

 

 

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Filed under Colette Patterns, seamwork, Sewing

The Charming in Chittorgarh Shirt

This shirt and its fit are a direct product of my computer printing this pattern at the wrong scale and me straight up not noticing because I trust machines and how are we in a reality in which it is possible to TRUST machines? The fears we have long dismissed are true! The robots are talking over, and it starts with blowing up the scale of my sewing patterns!

Or maybe not.

But as you know from this post, I really enjoyed the Seamwork patterns Rachel Shirt, although I found it curiously big (WELL NOW I KNOW WHY, you know what, maybe it’s not the robots, maybe I was just being totally out to lunch…) Of course, I cut two things from the pattern without testing the fit so that tells you something about how being in a land of endless fabric has really spoiled me. I stitched this shirt up in a hurry so I could take it with me on a trip to Udaipur, with visiting friends, because I knew that pairing this light pseudo-Japanese fabric (I have no idea if it is from Japan or just copied to give out that vibe, ah, India, you are a delight), with long sleeves, would make it perfect for Rajasthan in the winter, whose days are sunny and bright but quickly turn chilly.

And indeed I did! I was able to complete it on time and bring it with me to Udaipur, where I took it even further out to Chittorgarh, a gorgeous Medieval Indian fort with a mixed (aka grim) history. It’s withstood many a siege, and seen many a suicide, and it was the setting for a recent movie with a lot of controversy around it called Padmaavat, which is based on this epic poem but which some people think is real, which is all part of the whole damn thing. It’s complicated. If you are curious, you can read about the mythical figure of Rani Padmini, and here are some interesting (very feminist) takes on the movie.

At any rate, it’s a gorgeous place, and I hope my shirt did it justice!

It really turned out as more of a tunic, but that’s big in India, so no matter! The construction was simple and the size is meaningless because the scale is so off, but it’s light and comfortable and I’m into it! Sometimes accidents make for good garments.

It has sleeves! See, I proved it.

I just did a pleat in the back instead of the full longer tuck, which frankly, this garment could have used. Ah, well.

It’s very blousy and billowy, but I’m okay with that. It feels a little hip art teacher, which I always enjoy.

Here I am by one of the old fort entrances.

It’s it beautiful? But what was even more amazing was that I saw Tiya Sircar, aka Vicky from The Good Place, and told her how talented she is. So it was a pretty good day, I gotta say.

That’s about it on this shirt! It was easy, useful, and I’m into it. Regardless of the robots.

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Filed under Colette Patterns, seamwork, Sewing, Travel

The Whale Tale Dress

I write, briefly, in praise of Seamwork. I am sure you know about Seamwork, but just in case you don’t, Seamwork is the digital magazine created by Colette Patterns which releases patterns monthly as part of the magazine. The original idea was that these patterns be ones a sewer could stitch up in less than three hours, although I think that is no longer the case, given the fact that they have released some outerwear and trouser patterns! But I digress. The point is, over the years in which Seamwork has been a thing, they have released scores and scores of patterns, along with fascinating articles and ideas for pattern hacks, for an excruciatingly reasonable price. Sometimes I like the patterns, and sometimes I don’t, but that’s sort of the point, right? Releasing patterns all the time means that people have endless options, and that I can wait for the item that fits my style.

Of course, a psychologist/Don Draper might critisize me for my constant hunger for the new. Seamwork is the Instagram of pattern sources, always offering me something new, eager to present me with options rather than forcing me to evaluate what I already have. But as someone who likes to try new things, but also feels she has to get her money’s worth, I tend to make patterns over and over again, partially because I like them, I’m not insane, but partially because I feel like they need to earn their keep, and that can make my sewing a little, well, boring. New patterns stimulate and challenge me, and I like that I don’t have to feel that I wasted money on something I only made once, or that I have to make something work in multiple iterations if it just doesn’t. Does anyone else out there have this dilemma, that when you spend 20 dollars on a pattern you have to make it over and over again or you will feel guilty? Ah, guilt, my constant companion, welcome home.

And while they might not all be three-hour speed racers, they are all pretty simple, in their way, and yet I do learn from them, which I love. I am constantly impressed by the team at Seamwork for their designs and ideas, and this month was one of those times when I saw the new releases and almost sprained my finger trying to download them as quickly as possible. And then I taped, cut, traced, cut, and went to sewing, throwing everything else to the side, because I was extremely eager to wear Rachel.

The Rachel shirt (and bonus tunic/dress hack), is your straightforward button down, but the thing is, I’ve been looking for one of those! Isn’t it delightful when things come to you right as you decide you need them?

Of course, I have made the Grainline Archer many a time, but while I love it, I don’t know, the fit has never been 100% right. And yet I never tried another button down! I shop around for zucchini, I try three shops for cat food, but I never tried to make a different button down pattern. Maybe I am insane….

So I went ahead and cut two out! Which I maybe shouldn’t have done until I tested the fit but OH well…..A long sleeve shirt version is still on my sewing table, paused because of a weekend in Kolkata from which I have only just returned, ready to complete it, but I knocked out a short-sleeve version of the tunic/dress last week, and harassed What’s-his-face until he took my picture. So here you go, my first iteration of Rachel (can’t quite shake that “make multiple” thing yet) in a fabric I can only describe as magnificent, one in which I am as happy as a clam, as playful as a dolphin, as optimistic as an octopus, because it is covered in whales:

You see, when you wear fabric printed with animals, you can never be truly lonely, because you are never alone!

I adore adore adore this fabric, and I like the way this turned out, eventually, but I gotta say, there were some bumps on the road.

I wanted this to be a dress, rather than a tunic, but I have to say, the (absolutely gorgeous) model they used must have legs for days because I lengthened this a few inches and it was on the way to a maxi, then I cut it back to the original hem length and it’s still at my knees! That’s fine, makes it India appropriate, but jeez, way to make a girl feel short!

 

That’s okay, I can’t stay mad at this dress, look at the whales!

Thinking about my bust measurements alone, I cut a 14,  because I figured the rest would be big but that was fine. But when I tried this on, I was SWIMMING in it. Instead of the slim skirt I admired from the photo, I had a tent. Okay, I thought, this is on me, I wanted a roomy bust and got a roomy everything! But the bust ease was also a lot more than I had planned for, and I ended up taking in the sides over and over again in little degrees, trying to make this less of a tent while maintaining the ability to get into it, because the buttons only go to the waist, so I worried that I would reduce it to the point that I couldn’t, ya know, get into it.

I think I ended up taking out like, 8 inches on each side. Oy. Next time I will just cut a size 10 or 8, and grade out at the bust if I’m nervous. It’s still quite loose fitting, which is of course the design, but while my whales are happy swimming, I don’t want to be!

I kind of like the fact that there is no yoke, although I also love a yoke. Variety, it’s the spice of life!

Of course, I can always belt it, but it’s nice to have it be loose and airy in the Mumbai heat. I love to wear things like this at home when I’m writing, because it is comfortable but I don’t look like I was raised by wolves. That’s the sweet spot, right there.

You can see the waist seam here. The collar is a little smaller than the Archer, which I like. For the sleeves, I used the original sleeve pattern and just shortened it.

I’m so happy with my whales. And my shoes!

Aren’t they cool?

That about wraps up my Rachel. Do you guys like Seamwork? What is your pattern use philosophy?

Oh, and one last thing, if you, like I do, love the ocean, the many animals and plants that live in it, and want to protect, conserve, and help oceans, consider a little year-end donation to Oceana!

 

 

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Filed under Clothing, Colette Patterns, seamwork, Sewing

#MakingMaisel Pattern Ideas

Happy Monday, all! My gift to you is some pattern inspiration to help you figure out how to make that Maisel costume into the outfit of your dreams. I still haven’t decided what I’M doing yet, although I do know that I’m going to make SOMETHING in a wool, potentially a raspberry or a grey, classic Midge power colors. Know what I mean?

Now, of course there is the option for this one to go vintage pattern, and I may well be taking it, honestly, but thank goodness we live in a world that also gives us the opportunity to buy vintage reproductions, in a multi-size pattern, that we don’t have to worry about scaling or changing or damaging throughout the sewing process, am I right?

So here are some of my thoughts, although I welcome your ideas too!

Obviously, the outerwear is amazing. I don’t know if I can justify this to myself because…when would I wear it, but gosh, I’m tempted, aren’t you? All those gorgeous coats, so impractical with no closures, so amazing!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Luckily, there are some options for you if this is your deal.

 

 

 

The obvious contender, and it’s already in raspberry! IT’S A SIGN.

Also an option.

Sometimes these dress patterns sneak in a coat pattern. LUCKY FOR US!

The Colette Patterns Lady Grey would also work as a tribute piece!

I feel like if you made that up in a wool it would totally echo that tan coat Midge is sporting above, no?

This is technically not a coat but, I just, I die:

Separates:

The men of Maisel rock a separate, and Susie is all about a jeans and knit top combo, with her leather jacket, natch, but more often than not, Midge and Imogene are in dresses. Rose is all about a suit, very appropriate for her age in that period, and Rose is all ABOUT appropriate, as we know. This would totally be the time to make a suit, if anyone is itching to do that, but for now, I’m going to focus on the more unconventional separates the show gives us.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I love Midge in pants, so beatnik chic! There are some great options for that flat-front 1950’s look that was so popular, apparently people felt that the zipper front on women was vulgar.

I have been searching for a cute 1950’s blouse pattern for YEARS, any leads? But for the turtleneck, look no further than Seamwork!

Shorten Neelah into a shirt and there you go!

This outfit is a popular one on the internets, maybe because it’s so contemporary looking? I like the color combo, though, so bold! For this one, you might like the combo of Colette patterns Selene with a knit tee in a merino wool. Oooohhh, that would be cute…

 

And of course, who doesn’t love Midge’s work out gear?

 

For the shorts, I think the Weston shorts are a solid option:

 

You could also lengthen these to make Susie’s high waisted pants!

And the Astoria sweater would be too cute for Midge OR Susie! Material is everything.

And for the leotard, I mean, look no further than the Closet Case Nettie…

 

 

Okay, okay, fine, let’s get to the dresses!

I love literally everything each of these women is currently wearing.

 

This simplicity number feels right on the money! Add a bow, it’s there!

 

The top is a little off, but I think you could alter this one to make it work, and I love that back detail! It also reminds me of this number:

And then we have this one:

This one is a little intense, but also excellent. And look at that, a near-perfect pattern match!

Oh, love it all. LOVE IT ALL! Nothing exact here, but some options for an approximation:

 

Colette Patterns Claudette Dress, a classic!

Love those design lines.

And then of course, the party wear:

Now, Gertie said she might be developing something similar in an instagram post, so, ya know, maybe? But this is also not terrible:

And of course, the dress that requires pearls:

Oh, hello, lover. I mean, look, I have no idea if anything will ever be this good in terms of FIT, but in terms of LOOK, I humbly offer a few options:

Siiiigh. I had nothing for the men, honestly, although I’m happy to source that if anything is going there….

What do you guys think? Any other ideas of great patterns to use? Any real vintage favorites?

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Filed under Butterick Patterns, Closet Case Patterns, Clothing, Colette Patterns, McCalls Patterns, seamwork, Sewalong, Sewing, Simplicity Patterns, Vintage

The Fishing For Compliments Dress

Sometimes a fabric is so appealing to you that when you come across it a second time, you have to buy it, come hell or high water. I think I have demonstrated my proclivity towards this sort of thing with this dress, but just to remind you, I am totally the kind of person whose taste tends to run the same way year after year and who, when encountering a print she loved, will jump on that thing like its a damn trampoline. So I guess I shouldn’t have been so surprised when I presented my latest creation to what’s-his-face and he screwed up said face and said, “Haven’t I seen that before?”. Well, yes, I patiently explained, in a way you have, but as a shirt. This is a dress. The difference was not immediately clear to him, proving that men do not understand how clothing works on fundamental levels. Ah well, at least he’s pretty…

So yes, I found a fabric I had enjoyed before, and I purchased it, and made something else with it. And I have to say, I’m so thrilled with the results that I legitimately do not care if people think I made all my clothing out of one fabric. Of course, how much attention is anyone actually paying to my wardrobe anyway? If what’s-his-face doesn’t even notice, I think I’m probably good, right?

Okay, so check out my latest incarnation of McCalls 7351, the shirtdress sweeping the nation, or at least the blog universe:

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We found a wedding happening in our building complex (of COURSE we did, its India, it would have been that or a guru visiting, I swear), and what’s-his-face decided this would be a great background for this dress. We totally delayed a couple for this wedding by hogging the entrance. I would feel guilty, if I hadn’t been delayed by a thousand Indian selfies on various occasions myself.

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Using the pattern as a base, with a cut size 14, I altered it just like I did the last time I made this dress, taking in the waist a bit by adding front waist darts, but this time I made slightly smaller darts, taking in about 3.5 inches off the waist so that it’s well-defined and doesn’t require a belt. I also lengthened the sleeves a tiny bit, and chanced the skirt to a box-pleat rather than the knife pleated or circle skirt option. I do want to make this with a circle skirt, maybe in a plaid? I really like this pattern! I mean, it’s a simple shirtdress but it’s cute and comfortable and I like the look. I made the sleeves a little bigger to accommodate my muscles, but I think I need to make them even bigger next time. Ah, well, that’s the price of strength I guess…

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Now, of late I’ve been pretty into white, or stuff printed on white, which is objectively dumb because there is nothing I own that I haven’t spilled something on, multiple times, but whatever, sometimes you sew aspirationally, I guess! But the problem with such materials is a tendency towards transparency, so I also made a slip to go underneath this and other dresses of its type. I grabbed a white cotton with a nice texture at my new favorite place, Thakur, which is also where I got this fish fabric, by the way, and I made a Seamwork Savannah camisole which I lengthened to become a bias-cut slip. I trimmed it with a cotton eyelet lace, and used that as straps, but I don’t have photos of that, sorry. You’ll just have to trust me that this exists and is under this dress.

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I had some fun playing with the direction of the fish, making the bodice vertical and the skirt and bodice yoke and sleeves horizontal. I mean, these fish are pretty fun by themselves, but why not add to the party?

There is a Bengali folktale called the marriage of the fishes, in which a group of fish in a pound have a wedding, but they don’t want to invite the biggest fish in the pound because he will eat all the food. Of course, the unfortunate consequence of this is that he comes and eats all the FISH. But so far, my fish seem pretty content with each other. Let’s hope that lasts…

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Enjoying this charming wedding entrance. How nice that they did this just for my photos, right?

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Oh, and I used green shell buttons, you can sort of see them here. I also used green thread for a lot of the construction/topstitching, which was new for me, I don’t usually do a contrasting topstitch, but I like it! And so do the fish, I feel.

I mean, they haven’t said anything, but you know, they feel happy.

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And so am I!

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Cadfael, on the other hand, misses the days this dress was a floor covering he could enjoy in comfort and peace. Ah, well, you can’t please everyone…

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Filed under Clothing, Colette Patterns, McCalls Patterns, seamwork

A rare planning post

While many plan with the seasons, I have decided to plan anyway in this season-less land. I do very much miss seasons, and someday I will spend more time back in a place that has them, but for now, this nonsense doesn’t really cut it. Funny story, talking to a shopkeeper the other day, I asked him how he was enjoying the comparatively cooler (that is, like 7 to 10 degrees Fariegnheit cooler) weather in Mumbai. Mumbai winters usually last a week or two, with low humidity, days in the 80’s, evenings in the high 60’s, a veritable winter wonderland. He told me he really couldn’t get used to this weather and it was making everyone sick. I do not understand people sometimes, I swear.

Someone recently asked me what is the most challenging thing I’ve ever made. I couldn’t really think of anything that I thought was so very impressive, although there are things I’ve made that were more complicated than others. I think more about the things I HAVEN’T tried, or don’t as well as I would like to yet. I have actually made two coats, although one I never blogged, but I wasn’t really that happy with either, and rarely wore them. So that is a goal for the future, although spending a lot of time in Mumbai makes that unappealing right now, not just because I would have no opportunities to wear it here and could only bust it out when I’m back in the US or traveling somewhere cool, but also because the idea of constructing it in this hot place makes me sweat just contemplating it. But that is on my sewing bucket list, someday, a really nice well made wool-cloth coat. Ah, winter dreams…

Coat cravings aside, there are a few things I do have planned for myself in the coming months. Some are old patterns I’m excited to revisit, and some are new ones I can’t wait to explore. So here are my 2017 crafting plans so far:

Sewing:

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Ah, yes, that elusive beast the circle skirt. I want one of these, I actually want ten of these, but I want at least one or two. The circle skirt is the best, and while I attach them to dresses, I think I want one or two on their own. Solid colors, preferably grey, to go with everything and make me feel like I’m living all my 1950’s movie star dreams. What I need for this one is actually the fabric. I’m having a tough time finding that idea bottom-weight in a solid color I like here. But I continue to search!

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A blazer! (And a pencil skirt to go with it in a cute little set. Which is patterned!) This one I DO have the fabric for:

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So, do I NEED a suit like this? No. No I don’t. Shut up, you can’t tell me what to do! I have a vision of myself in a polka-dotted skirt-jacket combo and I cannot shake it. I have already cut this out, actually, using the Seamwork Delavan pattern for the jacket, and my skirt block for the skirt. I think a whimsical blazer is just the thing that’s going to take me from writer to whimsical-blazer-wearing-writer. Don’t you?

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Blow blouses. I love these things! This is the year I finally find my perfect one. I do enjoy the Seamwork Addison blouse, which I’ve made twice now (both unblogged, ugh, gotta get on that…). But is there a bow blouse anyone else would recommend? I’m also a big fan of the True Bias Sutton blouse, again, made two, gotta blog at least ONE of them…. I have a very lightweight silk that might be nice…

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Using an old favorite, Simplicity 2017 from the 1940’s which I’ve made one before, I want to make a few pairs of lightweight full-length and possibly culotte length trousers. How amazing do these wide-legged orange trousers look? I’m not sure if I could be so daring in color choice, but maybe burgundy? I’ve tried this out recently with strong results, again, gotta blog that. Sensing a theme?

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I’ve cut out the Colette Rue dress in this floral fabric, which I’m excited to stitch up! And then maybe a plaid version….I know, I’m a copy cat but come on, it’s so cute!

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I have made a lot of Closet Case Carolyn Pajamas and never. blogged. a. single. one. Frankly, I have been nailing down a good fit, and I think my last one really did finally get there so I should probably photograph those, sigh. It’s like, what am I even doing with my time? But this cat fabric was just too fantastic and I’m excited to sleep with kitties.

 

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I totally missed the Ginghamalong, mostly because I couldn’t find any gingham, but of course since then I’ve seen it everywhere. I want a gingham dress! How cute are these? This is clearly a more vague idea because I have no pattern OR fabric for this, but I just love it. Thoughts?

Now, for some patterns that I don’t currently own, but might want to tackle this year:
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Clearly a lot of love for Closet Case this year! But the Sophie swimsuit is so great. I am intimidated by the cups and the construction, but that just means I will have to try to figure it out, which is fun! And the Ebony is straightforward but I love it. Raglan sleeves, yes!

Now, a few quilts (baby gifts)

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I love the See Kate Sew Modern Ombre quilt. Wont it look amazing in these fabrics? Again, a tried and true here, I’ve made this more than once. That’s why I want to try something different, adapting this Purl Soho pattern to cottons:

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Now, beyond the machine, there are a few other things I want to do this year:

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I love these coloring books for grown-ups, mostly because I want to use them as embroidery patterns! Isn’t that mouse amazing? Or the whale? I gotta get stitching on these.

And in knitting news:

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I’m currently two-thirds of the way through this sweater for my mom. I picked up some wool to make myself one too, but let’s see when I finally get through this one. For such a simple pattern, it’s taking me FOREVER….

 

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Filed under Closet Case Patterns, Clothing, Colette Patterns, Planning, Purl Soho, Quilting, seamwork

The Resting in Rajasthan Robe (and nightgown!)

The East has long been associated with luxury, a luxury that makes one soft, weak, effeminate. From the ancient Greeks, who viewed their Persian neighbors (and frequent enemies) with suspension for their trousers, soft pillows, and luxury oriented ways, to the British, who justified their growing expansion and imperial conquest of India as a government-run colony, rather than a vassal of the East India Company  in the 19th century the “effeminate oriental” and the association of luxury as A. Eastern and B. decadent, therefore weakening. If a concept of  virtue in the west after the Protestant reformation comes from deprivation, from austerity, from self-denial, than the grandeur and majesty of eastern monarchs, with their ceremonies, formalities, intricacies of rank and service, translated to a bewildered and derogatory image of the east as a place of weak and inefficient dilettante. You can read a lot about this here, or a little about Edward Gibbon’s many references to this in The Decline and Fall of the Roman Empire here, or you can just giggle at the thought of scandalized physically uncomfortable European ambassadors being all jealous and casting shade.

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PS: If you aren’t following Fly Art in some way shape or form at this point, you probably should look at your life, look at your choices.

I am 100% sure that given the European desire for Eastern goods, the roots of this was a certain amount of envy. But whatever the cause, between the silk and the tea, the diamonds and the spices, the East was where virtue went to die and decadence when to thrive. It’s telling, then that the word for pillow in Spanish (almohada) comes from Arabic, the idea of slippers emerged out of the Ottoman empire, and every dish you’ve ever seen incorporating gold foil probably made its way to you via India. This is a culture whose rulers traditionally wore glorified pajamas.

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It’s very hot here. Who can blame anyone for wanting to be comfortable? The British. That’s who. Here is what Gibbon  had to say about men wearing silk:

“Two hundred years after the age of Pliny, the use of pure, or even of mixed silks, was confined to the female sex, till the opulent citizens of Rome and the provinces were insensibly familiarized with the example of Elagabalus, the first who, by this effeminate habit, had sullied the dignity of an emperor and a man…”

What. Is. Your. Deal. Men can’t feel a little fancy? I hope Gibbon wore sackcloth his whole life. Put your hair shirt away, Thomas Beckett, and get on the comfort train!

I, personally, have always wanted a bathrobe. In fact, I’ve owned a few, but I’ve never really used them. I don’t know what it is, maybe I never got the right one for me, but something about them always seemed a little unnecessary, silly, dare I say it, decadent? I would throw one on, feel like I was a character in a movie from the 1950’s, and take it off again. Robes seemed like something that television characters can’t live without and real people don’t live with. What is the use of a garment that you wear for what, an hour at most? In that brief window between pajama time and real clothing time on days when that window is more than, say, seven minutes? The allure of the robe was strong, but the practicality of it seemed lacking.

However, on a recent trip to Rajasthan, I stayed in an amazing place (seriously. Stay here when in Jaipur. Do not pass go, do not collect 100 dollars. Just stay here) where they gave us these gorgeous block printed cloth robes and something about being there with the beautiful robes made lounging around in them just heavenly and I thought, why can’t every day be like this?

So I decided to make a robe. Screw it. I live in a land of fabric, I can buy yards and yards of the stuff and make it into a robe and lounge about it for five minutes a day and feel amazing. And frankly, if I can feel truly glamorous and decadent and amazing for a full five minutes a day (and sometimes longer on weekends!), is that really a waste? Is that, in fact, what the Europeans did not get about the concept of luxury? That in small doses it can be just enough, and make all that virtue all little easier to swallow.

So, without further ado, my Resting in Rajasthan Robe!

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Oh, that style. Isn’t it just too chic for words? I love the kimono elements, the self-attached tie (isn’t that the thing that is always getting lost?) the sleeves, the sleeves! I could bask in them.

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I cut a Large, which was a bit large, but I wanted it big, frankly. I recently made a medium for a friend and frankly, that would have been just fine, but I’m not taking this thing in, what’s the point? A robe should be loose and make you feel embraced by soft softness.

RIR 2

The fabric is a heavenly buttery sheerish white cotton stamped with a highly traditional Rajasthani motif that I picked up while fabric touring in the North with Liz. The large motif meant it didn’t scream garment to me, but I knew I wanted to do something with it. And this robe really fit the bill.

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I lengthened it about five inches, which I think works. I can’t imagine it shorter, that’s for sure! Well, it actually only looks really short in this photo, it’s pretty perfect in real life.

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The one thing I would change (and did when making this for a friend) is the back seam. I just don’t really know why you need that, if you have a fabric that is wide enough. Of course, if you don’t, it makes the sense, but for a fabric wider than 45 inches, go nuts!

I used french seams throughout and some self-made bias tape to finish the front edges. All in all, it truly is as Seamwork promises a quick project. Maybe 3 hours, from cutting to (machine) hemming!

I also wanted to show it to you while open. And you can see the nightgown underneath!

RIR 1

It’s a Deer and Doe Plantain. I don’t really make other knit tops these days, I’ve realized…..This one I just lengthened to dress length for a night-gown. I rarely wear them but when I do, the glamour is way up. So why no combine it with a robe? (Side note, I never look this put together when I sleep. IT’S ALL AN ILLUSION.)

RIR 7

THOSE SLEEVES. Sigh.

I realize, I’ve actually made a bunch of Seamwork patterns and documented….zero of them. Guys, how great is Seamwork? I love it!

RIR 9

That’s right! I used a prop! Trying to step my photo game up a bit! That being said, you can totally see Cadfael’s food area at the bottom of this photo soooooo….win some, lose some.

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Ahhhh, luxury. Whatever, Western morality, I’ll take this any day of the week. For about five minutes. And then I have to get dressed and go to work.

 

 

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Filed under Clothing, Colette Patterns, Deer and Doe, seamwork, Sewing